Ridin’ the
Rails
with Fiddlin’ Charlie Bowman
by
Bob Cox
Few icons in American history evoke more
sentiment than the coal-fired steam locomotive, affectionately
known as the “Iron Horse.” Between 1829 and
the mid 1960s, these magnificent hunks of metal laboriously
chugged through our countryside, stacks belching plumes
of black smoke, and steam whistles blowing mournful melodies.
The steam locomotives captivated the imagination of local
musicians like fiddler Charlie Bowman, who incorporated
train images and sounds into the lyrics and tunes of
songs they wrote and recorded.
…By the early 1920s, old-time string
bands were flourishing in upper East Tennessee. Gray
Station, Tennessee, a tiny farm community between Johnson
City and Kingsport, was home to one such group, Charlie
Bowman and His Brothers (Elbert, Walter, and Argil).
Known as “the champion fiddler of East Tennessee,” Charles
T. Bowman (1889-1962), was a key member of several bands,
including Al Hopkins and His Buckle Busters (the Hill
Billies). A recording artist, vaudeville performer, and
songwriter, Charlie had the ability to coax startlingly
realistic sound effects from a fiddle—ranging from
hound dogs chasing a red fox through the Tennessee hills
to a barnyard symphony featuring cacklings from a turkey
gobbler and a bantam hen. In addition to the fiddle,
Charlie could also play 15 standard and several not-so-conventional
instruments, including brooms, saws, washtubs, thick
balloons, a homemade one-string bass, and even an underfeed
furnace.
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The Hill Billies- Tony Alderman,
John Hopkins, Charlie Bowman & Al Hopkins
Photo courtesy of Bob Cox |
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…Charlie
displayed his comedic talent in the song, “Donkey
On the Railroad Track,” a skit recorded on Vocalion
Records on October 23, 1926. Al Hopkins provided the
narrative, and Charlie imitated both the train and the
donkey on his fiddle. The account concerns another CC&O
Railroad engineer by the name of Jim McCasey and his
flagman, John Sifford. As the train chugs down the track,
the trainman spots a stubborn donkey in the distance,
sitting on the track, refusing to move. After several
futile blasts of the horn, McCasey shouts, “I’ll
throw the fog into the son of a gun, and I will knock
you off.” The song concludes when the train bumps
the animal off the tracks, “laughing” at
John and Jim as Charlie produces the braying sounds on
his fiddle. This record illustrates the multipurpose
function of the steam whistle—one minute warning
others of its approach at crossings and depots, while
the next minute communicating with the flagman using
a predefined sequence of short and long horn blasts.
…Charlie Bowman and other songwriters have vividly
preserved the train’s glorious legend in song. The
sounds of the mighty steam engine may have left our countryside,
but not our hearts, our memories, or our music.I’m
going on the mountain,Gonna see my baby,And I ain’t
coming back,No, I ain’t coming back.“Whoo-eee-ooo-eeeeeeeeeeee-
(fading)Ooooooooooooooooo…Clickity-clack, clickity-clack,Clickity-clack,
clickity-clack,Clickity-clack.
Writer Bob Cox is a native of Johnson City
in upper East Tennessee, and is a great-nephew of Fiddlin’ Charlie
Bowman. With the help and encouragement of family members
and old-time music historians, he has written a manuscript
on the family’s music that he hopes will find its
way into publication.
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