Carter Stanley once referred to old-time fiddle player Leslie Keith as “an unsung hero,” a powerhouse entertainer who, in his day, enjoyed widespread popularity, but with the passing of time… Read More →
Main Content
Latest Issue
Volume 15, Number 4
Features
- The Old Originals Project: A Look Back after 50 years By Tom Carter
- Arthur “Cush” Holston, Florida’s Fiddling Fisherman By Lloyd Baldwin
- Hidden Roots: The Musical Life of Munsey Gualtney By Josh Beckworth
- Attic #24: Gone to Texas (and Oklahoma) By Paul Wells
Reviews
- We Shall All Be Reunited: Revisiting the Bristol Sessions Reviewed by Suzy Rothfield Thompson
- Along the Ohio’s Shores: Fiddle Music Along a Great River Reviewed by Bradley Kramer
- Rare and Unissued Fiddle & String Band Music (Eck Robertson and Others) Reviewed by Bradley Kramer
- Sidetrack My Engine (Nora Brown) Reviewed by Pete Peterson
- The Rocky Creek Ramblers Reviewed by Timothy Jones
- Here’s to Every Country Dancer: Dudley Laufman’s Original Tunes and Songs played by Canterbury Country Dance Orchestra (Dudley Laufman) Reviewed by Jordan Smith
- Hand-Me-Downs (Madeline Levy and Bertram Levy) Reviewed by Pete Peterson
- Coney Island Baby (Eden & John’s East River String Band) Reviewed by Bradley Kramer
- Allsorts Orchestra (Skillet Licorice) Reviewed by Bradley Kramer
- Celtic Fiddle Rambles with Skip Gorman (Skip Gorman) Reviewed by Paul Wells
- Naomi “Omie” Wise: Her Life, Death and Legend Reviewed by Jordan Smith
- Industrial Strength Bluegrass: Southwestern Ohio’s Musical Legacy (Fred Bartenstein and Curtis W. Ellison, editors) Reviewed by Bradley Kramer
- ARSC Journal Special Issue: “U.S. Public Domain and Pre-1923 Recordings” Reviewed by Bradley Kramer
From the Vault: Features
Attic #23: Many Strings, No Neck
by Paul Wells
All images from the collection of Paul Wells.Organologists—scholars who study and classify musical instruments—lump them into large, broad generic groupings. All stringed instruments, for example, are classed as “chordophones,” which… Read More →
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Y’all Come: The Ballad of Big Jim Folsom
by Burgin Mathews
In March of 1962, a new political season was gearing up in Alabama, and so-called “hillbilly” music was everywhere. “It has gotten so you can’t run for governor in Alabama,”… Read More →
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An Interview with George Wilson
by Jordan Smith
George Wilson has been a mainstay of the contra dance scene in the Northeast for four decades. He has played fiddle with one of the premiere dance bands, Fennig’s All… Read More →
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